ID de tableau:: 11167
The Ball La Balle undated
2' 11 1/2 x 1' 7 3/4''(90 x 50 cm)
Bequest of William Vaughan,1919 non datée 2 › 11 1/2 x 1 › 7 3/4 › › (90 x 50 cm) le Legs de William Vaughan, 1919 French Painter, 1836-1902
ID de tableau:: 11738
The ball La balle corner of the park,Child Playing with Ball,1899
1' 7'' x 2'(48 x 61 cm)Bequest of Carle Dreyfus,1953 Le coin du parc, l - Enfant Joue avec la Balle, 1899 1 › 7 › › x 2 - ( 48 x 61 cm) le Legs de Carle Dreyfus, 1953 1865-1925
(15 October 1836 -- 8 August 1902) was a French painter.
Tissot was born at Nantes. He studied at the École des Beaux-Arts in Paris under Ingres, Flandrin and Lamothe, and exhibited in the Paris Salon for the first time at the age of twenty-three. In 1861 he showed The Meeting of Faust and Marguerite, which was purchased by the state for the Luxembourg Gallery. His first characteristic period made him a painter of the charms of women. Demi-mondaine would be more accurate as a description of the series of studies which he called La Femme a Paris.
ID de tableau:: 85044
The Ball 1880(1880)
Medium Oil on canvas
Dimensions 90 x 50 cm (35.4 x 19.7 in)
cyf (15 October 1836 -- 8 August 1902) was a French painter.
Tissot was born at Nantes. He studied at the École des Beaux-Arts in Paris under Ingres, Flandrin and Lamothe, and exhibited in the Paris Salon for the first time at the age of twenty-three. In 1861 he showed The Meeting of Faust and Marguerite, which was purchased by the state for the Luxembourg Gallery. His first characteristic period made him a painter of the charms of women. Demi-mondaine would be more accurate as a description of the series of studies which he called La Femme a Paris.
James Jacques Joseph Tissot (15 October 1836 -- 8 August 1902) was a French painter.
Tissot was born at Nantes. He studied at the École des Beaux-Arts in Paris under Ingres, Flandrin and Lamothe, and exhibited in the Paris Salon for the first time at the age of twenty-three. In 1861 he showed The Meeting of Faust and Marguerite, which was purchased by the state for the Luxembourg Gallery. His first characteristic period made him a painter of the charms of women. Demi-mondaine would be more accurate as a description of the series of studies which he called La Femme a Paris.
The Ball
